Building on Snarkitecture’s exploration of excavation as an architectural process, the Topographies Collection transforms a three-dimensional exercise into a two-dimensional wall covering. Stacks of paper were torn by hand to reveal a stepped topography, implying an unknown architectural depth within the image. The textured contours play between the looseness and depth of the torn excavations and the prevision and flatness of the wall surface. Alluding to the aging process of layered wallcoverings, Snarkitecture’s design reveals an unexpected relationship between destruction and construction.

Inspired by cherry blossom branches and computer graphics, Charles de Lisle's Linden series blends natural forms and geometric shapes. The design features hexagonal brass conduit, resembling a video game tree, and draws from bicycle construction for its joint angles. The series includes hanging fixtures, table lamps, floor lamps, sconces, and flush mounts, while the Linden Vertical captures the playful essence of a branching form.

Nature and geometry are at the nexus of the Fragments collection. From one extreme, found looking rocks are intersected by polished planes. At the other extreme, completely finished stone is fragmented by different marbles and colors. Fragments was conceived at the quarry, where irregular and organically shaped boulders are being transformed into perfect industrial geometry. The initial interpretation of this juxtaposition between the original rock and the finished products, is in the group of work where rough found boulders are intersected with planes of perfectly finished and honed machine parts.

This perfectly proportioned coffee table elevates a functional item to luxurious new heights. Again, designers Lazzarini & Pickering offer a blend of color and texture, shapes and lines. The table’s surface is made with luxurious back-painted tempered glass, Black Marquina marble, or Calacatta Gold marble. The metal elements of the Mathus table, like the Murena Chair, feature elegant curves.

With its commanding dimensions and low-slung silhouette, the Elisabeth Sofa is a new classic. Constructed of ultra-high quality materials the design interprets Italian tradition and reshapes it for a new generation. The tight upholstery (pictured in Pierre Frey Mix Linen Blend) and wide cushions offer an ultra-comfortable, yet upright seat.

Produced by Lindsey Adelman in her New York studio, the Branching Bubble Series is inspired by the complex yet interconnected forms found in nature. It is composed of brass structural elements with hand-blown glass fixtures and is available in a variety of metal finish and glass options for creating unique configurations.

The Tip of the Tongue light, a finely crafted table fixture from Michael Anastassiades, is made with mouth-blown opaline glass, which is formed into a sphere, and placed atop a polished brass base.

The Rodan Coffee Table by PINCH is inspired by the restraint and detailing of the iconic Shaker box. The table marries a turned, solid wood and very stable base, upon which sits the top, whose lip is then secured with a classic swallowtail lapper detail. Available in European Oak with a white oil finish, Black American Walnut with a lacquer finish, or Black Stained Ash with a lacquer finish.

The Frans Drinks Cabinet by PINCH is designed and made for those who enjoy the preparation as much as the consumption of a good cocktail. The cabinet presents very simply from the outside, with its clean lines and timber top juxtaposed with a contrasting lacquer base. When opened, it fully embraces the theatre and hospitality of refreshment preparation. Fully considered it contains a peach tone mirror, warm LED lighting, a satin copper-lacquered work surface, adjustable shelves to allow for bottle and glass height, rubber-lined drinks trough, wine storage, and a dovetailed drawer.

The Brody Low Back Armchair by PINCH is a club chair with a fixed seat and a modest footprint. Brody is available in a wide range of graded fabrics of your choosing, or you may provide your own material - please inquire directly for more information.

PINCH's interpretation of a classic Cricket table, the Clyde side table has a solid timber top with a tactile curved edge and scalloped surface, and a triangular shelf below. Designed to be used in living rooms next to a sofa, or as a bedside table. Available in solid European oak with a white oil finish and black American walnut with a lacquer finish.

The original inspiration for Anders came from haute couture fashion which led Russell Pinch to use the traditional hat-making skills of a leading London-based milliner. Sculpted from layers of banana fiber, draped and stitched around the central light fixture, this handmade piece creates a sculptural and ethereal pendant light.

Elliptical mirror with a shaker-style joint and brass rivet detail at one side. Supplied with a split baton for ease of hanging.

The solid timber Imo Bench by PINCH has a sculpted top and is equally content when used as a perch in a hallway or when placed alongside a dining table, comfortably seating three people.

The Harlosh Bedside Table from PINCH makes a perfect bedside or occasional table, with its clean lines, floating drawer, and tray area below to accommodate that stack of books, waiting patiently for your attention. Available in solid European oak with a white oil finish, black stained ash with a lacquer finish, or black American walnut with a lacquer finish.

A chair of rigorous simplicity, our Avery dining chair is as clean and poised as a linear sketch, and is sculpted and finished to invite a comfortable sit.

A chair of rigorous simplicity, our Avery armchair is as clean and poised as a linear sketch, and is sculpted and finished to invite a comfortable sit.

The Tube Chandelier, a triangular fixture with lights illuminating from each of its three sides, is a sleek addition to any residential or commercial space.