Drawing begins with the simplicity of childlike strokes, that have the tones of antiquity, for each time they are deposited they seem to express the age of all humanity. Such and similar are the prehistoric strokes that we know of the cave paintings in the caves of Lascaux and Chauvet, of Altamira, of the Genoese, or of the Deer. Wonders and vestiges that retain the awe of time and the secret of an intention, that tell of the beginning of representation.