Exuding early 20th century glamour, this small padded club chair enhances any interior. The expansive collection, which continues to grow, is all about contrast and design tension: darkness and light, rough and smooth; and embellishment with restraint. With its commanding presence, each piece works individually or pairs exquisitely with other items in the collection.

With formal lines softened by the creative use of fabric, leather, and upholstery, Umberto Asnago's Naviglio Sofa has achieved a piece of uncommon beauty. The sofa’s simple lines and elegant frame support an exceptionally comfortable seat and back cushions, which can be upholstered in leather or fabric. Designer Umberto Asnago made the most of the collaboration with Arflex, making sure each element of the sofa received the greatest attention to detail. From its inception, the Italian furniture company Arflex has been known for its boldly imaginative amalgam of technology and aesthetics and the Naviglio is an extension of this esteemed tradition. This sofa is available in a wide range of graded fabrics of your choosing, or you may provide your own material - please inquire directly for more information.

Seungjin Yang’s work lives inside of an aesthetic continuity that is as immediately identifiable as it is ceaselessly compelling. Using the universally recognizable signifier of the balloon, and deriving forms from childhood memories, Seungjin’s acclaimed Blowing series invites the viewer to physically engage with the purely hypothetical. These new works continue the artist’s ongoing exploration of a unique reality that is typified by bold colors and the pleasantly surprising stability of seemingly pliable materials.

The Wonky Collection was born in 2012 when Matthew Day Jackson took a cardboard prototype of a dining chair that he had designed and covered it in carbon fiber and epoxy. This exploration paved the way to making a bar, a chair, a bed, a closet, another chair, and now this work for The Future Perfect for Design Miami. For Design Miami the artist presented a limited edition lounge chair, a unique large table, and the "Bardenza" which is a hybrid of the credenza that can be wall-mounted or left on its legs.

Expanding upon the notions of domesticity that were at the core of the design of the original Solo Chair, this glass vitrine features curved glass and rounded ends that can integrate harmoniously with other furniture pieces. With large areas of clear glass and even clear glass as shelves, the objects to be displayed within are the main visual highlight, while the narrow wooden profiles and legs are just a simple armature.

The Rough Table is a stylish, multi-faceted presence. Its free-form tabletop is never seen the same way twice: neither oval nor rectangular, it appears to have been carved out of the mass. But you quickly realize that it is more refined than you imagined, the proportions just so, the slope perfect, the bevel delicate. Similarly, its legs (in wood or patinated bronze), which at first appear to be quite generous, show themselves to be oblong, alert, and well-paced, like a walk through the woods.

Designed in 1991 by the influential Austrian sculptor Franz West for the Meta Memphis collection, the Privat Lampe I is a floor lamp that is exemplary of West's principle of elevating functional objects into sculptural art. The artist's name and production number are printed on the piece.

Assembling contrasting impulses and materials into a stunning and fluid sort of cohesion, Chen Chen and Kai Williams have produced an immediately iconic line of mirrors. Named as a reference to silver’s classification as a “transition metal”, the Transition Mirrors are made by a process wherein a silver nitrate solution is poured onto clear glass, chemically bonding to the surface. The moment of transition, which occurs at the contoured edge of the silver, is an intentional point of fragility in the construction of the surface, resulting in an extraordinary moment of delicate beauty. When treated with care, these mirrors are sure to age into quintessential pieces in the oeuvre of these prolific collaborators.

Assembling contrasting impulses and materials into a stunning and fluid sort of cohesion, Chen Chen and Kai Williams have produced an immediately iconic line of mirrors. Named as a reference to silver’s classification as a “transition metal”, the Transition Mirrors are made by a process wherein a silver nitrate solution is poured onto clear glass, chemically bonding to the surface. The moment of transition, which occurs at the contoured edge of the silver, is an intentional point of fragility in the construction of the surface, resulting in an extraordinary moment of delicate beauty. When treated with care, these mirrors are sure to age into quintessential pieces in the oeuvre of these prolific collaborators.

Assembling contrasting impulses and materials into a stunning and fluid sort of cohesion, Chen Chen and Kai Williams have produced an immediately iconic line of mirrors. Named as a reference to silver’s classification as a “transition metal”, the Transition Mirrors are made by a process wherein a silver nitrate solution is poured onto clear glass, chemically bonding to the surface. The moment of transition, which occurs at the contoured edge of the silver, is an intentional point of fragility in the construction of the surface, resulting in an extraordinary moment of delicate beauty. When treated with care, these mirrors are sure to age into quintessential pieces in the oeuvre of these prolific collaborators.

WONKY was born in 2012 when Matthew Day Jackson took a cardboard prototype of a dining chair that he had designed and covered it in carbon fiber and epoxy. This exploration paved the way to making a bar, a chair, a bed, a closet, another chair, and now this work for The Future Perfect for Design Miami. For Design Miami the artist presented a limited edition lounge chair, a unique large table, and the "Bardenza" which is a hybrid of the credenza that can be wall-mounted or left on its legs.

Ben & Aja Blanc’s Meret compositions explore texture, surface, and form through mirrors, glass, and contrasting materials. Each arrangement signifies dialogues with art history, moments, and artists that inspire the pair. Collaboration, juxtaposition, and reductive processes are evident, creating one-of-a-kind pieces rooted in experimental hand-worked qualities. Objects are liberated from continuous production, resulting in unique detail—a hallmark of Ben & Aja Blanc's studio practice.

The Wonky Collection was born in 2012 when Matthew Day Jackson took a cardboard prototype of a dining chair that he had designed and covered it in carbon fiber and epoxy. This exploration paved the way to making a bar, a chair, a bed, a closet, another chair, and now this work for The Future Perfect for Design Miami. For Design Miami the artist presented a limited edition lounge chair, a unique large table, and the "Bardenza" which is a hybrid of the credenza that can be wall-mounted or left on its legs.

The Wonky Collection was born in 2012 when Matthew Day Jackson took a cardboard prototype of a dining chair that he had designed and covered it in carbon fiber and epoxy. This exploration paved the way to making a bar, a chair, a bed, a closet, another chair, and now this work for The Future Perfect for Design Miami. For Design Miami the artist presented a limited edition lounge chair, a unique large table, and the "Bardenza" which is a hybrid of the credenza that can be wall-mounted or left on its legs.
 
Wonky is made strictly without measuring using only basic tools. The production is part performative and bad comedy creating an environment that relies on ingenuity and play to create a useful object. Play is in responding to material and process without knowing the end product. There is an ethereal gap left by this chaos amplified by a lack of precise measurement which forces us resort to our past experience which produces a perfect object measured only by subjective opinion. There are bubbles in the fiberglass, neither surface nor paint is perfect and symmetry is not achieved! The triumph of WONKY is in how its forms express the hand and humor of the author where vulnerability is the magnum goal.

The Nalgona Chair is woven of 100% Colombian mimbre (wicker) ethically sourced in the Colombian Amazon. Chris Wolston wanted to create a body of work that felt soft and inviting while maintaining technical sophistication and a strong connection to the craft. “A lot of furniture tends to steer away from embodying human-like form yet the human body has such an intimate familiarity with furniture. Wouldn’t it be nice to create a chair that embraces a different physicality--a chair that hugs you back?” The human form riffs on the iconic shape of the plastic Remax Chair, ubiquitous throughout Colombia, and the playful humanoid quality found in pre-Columbian ceramics.

Inspired by defense architecture, Floris Wubben's ceramic pieces showcase the interplay between machines and humans. Through the art of extrusion, Wubben leverages the power of applied pressure and mechanical process to create an array of ceramics in captivating compositions. This unique artistry intertwines manual and mechanical methods, resulting in each piece being a product of combined efforts.

Brooklyn-based designers Chen Chen and Kai William’s Vascular Shelves are made from a seamless connection of UV-bonded glass surfaces to a powder-coated steel structure ensuring both durability and aesthetic coherence. Each surface is an intricately crafted composition of a cluster of stones on a glass canvas. The viewer is invited to see the subtle intricacies of the stone’s patterns displayed next to each other. Segregated tiers not only enhance visual appeal but also create a captivating blend of form and function.

Brooklyn-based designers Chen Chen and Kai William’s Vascular Shelves are made from a seamless connection of UV-bonded glass surfaces to a powder-coated steel structure ensuring both durability and aesthetic coherence. Each surface is an intricately crafted composition of a cluster of stones on a glass canvas. The viewer is invited to see the subtle intricacies of the stone’s patterns displayed next to each other. Segregated tiers not only enhance visual appeal but also create a captivating blend of form and function.

Brooklyn-based designers Chen Chen and Kai William’s Vascular Shelves are made from a seamless connection of UV-bonded glass surfaces to a powder-coated steel structure ensuring both durability and aesthetic coherence. Each surface is an intricately crafted composition of a cluster of stones on a glass canvas. The viewer is invited to see the subtle intricacies of the stone’s patterns displayed next to each other. Segregated tiers not only enhance visual appeal but also create a captivating blend of form and function.

Eric Roinestad's ceramics employ an iconographic language to explore the deeply personal. With a background in graphic design, he wields an instinct for pictorial dialect, infusing his work with both universality and intimacy. His evolution harmonizes diverse aesthetics into a uniquely original approach. Taking influences from Bauhaus pioneer Oskar Schlemmer and the southern California landscape, Roinestad's artistic journey embodies his innovative vision.

Large terracotta indoor/outdoor planter chair, handmade by New York and Medellín-based artist Chris Wolston.

Exhibiting a sense of unrestrained creativity, Sanguino’s ceramic chairs offer a balancing act of expression and control. Like his instantly iconic stools, Sanguino’s chairs use clay as both structure and canvas, with each piece bearing the artist’s signature graffiti style graphics and vivid color palette.

Celebrated Belgian illustrator and ceramicist Aude Van Ryn creates handmade prints, tableware, figurines and sculptures. She has developed a vibrant, abstract aesthetic, incorporating dots, lines and geometric shapes, alongside brightly colored plants, flowers and birds. Aude moved to London aged 21 to study illustration at Central Saint Martins. She went on to study at the Royal College of Art and has created distinctive illustrations for publications such as The Guardian and The New Yorker.
The inspiration for the Tellems pieces is drawn from the 13th century Tellem tribe in Mali, Africa and the tall, conical buildings they built as burial grounds in the Bandiagara cliffs, also called Tellems.

Celebrated Belgian illustrator and ceramicist Aude Van Ryn creates handmade prints, tableware, figurines and sculptures. She has developed a vibrant, abstract aesthetic, incorporating dots, lines and geometric shapes, alongside brightly colored plants, flowers and birds. Aude moved to London aged 21 to study illustration at Central Saint Martins. She went on to study at the Royal College of Art and has created distinctive illustrations for publications such as The Guardian and The New Yorker.
The inspiration for the Tellems pieces is drawn from the 13th century Tellem tribe in Mali, Africa and the tall, conical buildings they built as burial grounds in the Bandiagara cliffs, also called Tellems.

An orange mutt who wants to show her belly. Katie Kimmel is an artist working in The Mojave Desert, California. She received her BFA from The School of the Art Institute of Chicago in 2015 where she studied ceramics, video, and painting. Katie enjoys writing biographies in the third person.

Kazunori Hamana’s career has always been atyical. A natural shapeshifter, the Japanese craftsman created both a sneaker store and a fusion restaurant in Tokyo before moving to the countryside of the Chiba prefecture to work as a farmer and fisherman. While there, he began working as a ceramicist creating elegant, elegiac pieces firmly rooted in the country’s transcendent arts traditions. 
Inspired by his quiet life by the sea, the country’s world view of wabi-sabi, which embraces the imperfect, and his characterful aging farmhouse, Hamana’s vessels and sculptures marry centuries-old technique with an ebullient spirit. Each unique piece a masterpiece in its own way, Hamana sees his work as a bulwark against a contemporary culture infatuated with newness and products that are easily dispensable. 

"i build flowers,
i am tending to my garden
each day it gets fuller and fuller.
the center is hollow and open
the center is full of space." 
Magnus Maxine is an interdisciplinary artist working in ceramic, paper, painting, poetry and fibers addressing themes of violence against those who identify as Fem or Female. Magnus studied at California Institute of the Arts and currently lives and works in Los Angeles.

New to the Waste collection, the Waste Tile Cabinet is meticulously crafted in Piet Hein Eek's studio using traditional wood-working technique. It brings his quintessential vocabulary of recycled wood collage to a cabinet design of exceptional grace. Each cabinet is completed with a characteristic high gloss finish.

Kolho is a series of tables and chairs formed of right angles and serpentine forms. It is inspired by the Apollo landing and a small town called Kolho in Finland. The serpent represents temptation and chaos which supports the flat plane of reason. The space between Reason and Chaos is that of PLAY.

The Caliche Floor Lamp is woven of 100% Colombian Mimbre (Wicker) harvested in the Colombian Amazon. Chris Wolston wanted to create something that was soft but still maintained a strong materiality.

Chris Wolston’s aluminum work has a puzzle-like feel with intricate motifs that create a strong visual impact. His mirrors convey his distinct narrative voice by employing illustration-based aluminum pieces to present a tactile and compelling design statement. Drawing on his interest in ancient influences and postmodern fabrication, Wolston introduces a new aesthetic vernacular that offers each beholder a different, almost instinctual translation.

The Marechiaro, designed in 1976, can still surely be considered current, thanks to its extreme formal essentiality. The collection is composed of an armchair, two or three-seats sofa, and a pouf which combined allows never-ending compositions. Multiply-wood base with fibre cover; back, seat and armrest cushions are fixed to the base through metal structure assuring hardiness and duration of the sofa. Each element (backrest, seat, armrest) is upholstered and covered separately. This sofa is available in a wide range of graded fabrics of your choosing, or you may provide your own material - please inquire directly for more information.

Inspired by defense architecture, Floris Wubben's ceramic pieces showcase the interplay between machines and humans. Through the art of extrusion, Wubben leverages the power of applied pressure and mechanical process to create an array of ceramics in captivating compositions. This unique artistry intertwines manual and mechanical methods, resulting in each piece being a product of combined efforts.

The Wide Archway Mirror employs the classic architectural element to create a strikingly realistic illusion, seemingly opening a doorway through the wall into another space.

Seungjin Yang’s work lives inside of an aesthetic continuity that is as immediately identifiable as it is ceaselessly compelling. Using the universally recognizable signifier of the balloon, and deriving forms from childhood memories, Seungjin’s acclaimed Blowing series invites the viewer to physically engage with the purely hypothetical. These new works continue the artist’s ongoing exploration of a unique reality that is typified by bold colors and the pleasantly surprising stability of seemingly pliable materials.

A fixed-seat armchair, traditionally made with a hand-tied sprung seat and back, the Goddard is a refined piece with a modest, elegant poise.

Franz West reinterpreted the Privat Lampe by inverting it, and floating the chains horizontally to create a chandelier version of his iconic floor lamp.

This set of three mirrors adds a touch of classical architecture to any space. The Arcade Mirrors create a row of archways so that the negative spaces between them become implied columns. Sold as a set of 3, please inquire directly for purchasing individually.

The RAG table and chair are made from old pipes from the RAG building. Piet Hein Eek reclaimed the old pipes from his own old workshop building as well as the RAG building. The RAG collection made from these pipes are a limited edition due to the one-of-a kind nature of the materials.

Experience the distinctive Rag Dining Chair, a testament to Piet Hein Eek's renowned sustainable artistry. Crafted from repurposed materials, including old pipes from Eek's workshop and the Rag building, this limited edition collection embodies the unique character of reclaimed materials. With an industrial charm and a commitment to sustainability, each chair adds a touch of authenticity and style to your dining space.

Piet Mondrian's influence on modern abstraction inspired Lindsey's Drop System, where she used brass tubing and glass globes to explore the balance between rigidity and fluidity. The custom-configurable fixture elegantly plays with vertical and horizontal elements while offering various finishes for a unique collection.

The Marenco Sofa features a revolutionary system to assemble seat and armrest cushions to the base. The cushions are simply put into a metal tubular frame which grants rigidity and resistance to the use of the sofa. The Marenco Sofa is available in additional sizes and configurations, please inquire directly for more information. This sofa is available in a wide range of graded fabrics of your choosing, or you may provide your own material - please inquire directly for more information.

With formal lines softened by the creative use of fabric, leather, and upholstery, Umberto Asnago's Naviglio Sofa has achieved a piece of uncommon beauty. The sofa’s simple lines and elegant frame support an exceptionally comfortable seat and back cushions, which can be upholstered in leather or fabric. Designer Umberto Asnago made the most of the collaboration with Arflex, making sure each element of the sofa received the greatest attention to detail. From its inception, the Italian furniture company Arflex has been known for its boldly imaginative amalgam of technology and aesthetics and the Naviglio is an extension of this esteemed tradition. This sofa is available in a wide range of graded fabrics of your choosing, or you may provide your own material - please inquire directly for more information.

Part of Studioilse's Seating for Eating collective, the Two Seater Low Bench offers compact proportions ideal for a residential environment. Reassuringly familiar but carefully detailed. Optional brown or black leather pad softens the seating area. Furniture that you can sit on together, but that still leaves room for the individual. Designed by Studioilse and manufactured by De La Espada for the Studioilse brand.

The Solo Bed takes the molded shell form of the original Solo Chair and extends both its width and its length. The gently sloping ergonomic curvature wraps around the head area for a sense of protection and comfort. The wooden legs echo the tilt of the chair’s legs so that the bed platform and headboard sit gently atop.

Glassblower Jochen Holz’s work is defined by both the potential and the limitations of his chosen medium. Reflective of his process, Holz is inspired by glass in its molten form, each piece feels as though it is in motion.

Introducing the Privat Lampe II with welded chain links, a remarkable lighting creation designed by Franz West for Memphis in 1989. This statement lamp showcases a captivating fusion of art and functionality, embodying the iconic design aesthetics of the Memphis movement.

Christopher Stuart's Constructs and Glitches collection combines sculptural furniture with conceptual tension. It consists of Constructs, which distorts familiar furniture archetypes, and Glitches, showcasing unintentional distortions of furniture forms. The collection plays with design contradictions and is exclusive to The Future Perfect.

Half Moon by Ben & Aja Blanc is a large-scale mirror reminiscent of a half moon partnered with hand-spun, hand-painted silk fiber in a choice of finish options. Custom mirror sizing is available upon request at an additional fee.

Taking its name from the eye-shaped amulet said to protect against the evil eye, the Nazar rug exemplifies Atelier Février seductive blend of cultures and traditions. Designer Florian Pretet’s design repeats this ancient motif, creating an eye-poppingly lavish maze-like formation. Made from 60% Tibetan wool and 40% fine Chinese silk, the Nazar rug was made by Tibetan artisans, who’ve perfected a meticulous hand-knotted production process. Through this combination of bold, graphic-inspired artwork rendered with beautifully handcrafted methodology, the atelier achieves the perfect synthesis of organic modernism and humanistic craftsmanship.

Bec Brittain's Maxhedron is a study in material transformation through light and reflection. When off, the partly-translucent Maxhedron reflects and blends with its environment; when on, the dazzling inner constellation of bulbs projects bands of light onto nearby surfaces. Maxhedron is offered in multiple sizes and can be hung either vertically or horizontally.

Exuding early 20th century glamour, this small padded club chair enhances any interior. The expansive collection, which continues to grow, is all about contrast and design tension: darkness and light, rough and smooth; and embellishment with restraint. With its commanding presence, each piece works individually or pairs exquisitely with other items in the collection.

Joining the family of Seating for Eating is Together table, available as a fixed or extendable table with standard and wide widths. The table sits comfortably with Seating for Eating or independently holds its own. Rounded ends act as drop leaves on the extending version, creating a rectangular table when locked underneath. The rounded ends invite people to move up and get snug. A table to eat, drink, work, or play. Furniture that you can sit on together, but that still leaves room for the individual.

The Trio series is a tectonic exploration where the composition of the table legs is the design focal point. The tables stand on three legs, with each leg attached to another leg with an intermediate horizontal substructure. The tables express a purity of form and material, with the unexpected design focus under the table, where an intricately composed latticework brings a hidden elegance to the otherwise simple and unassuming table ensemble. The tabletop is also offered in copper, wood, or marble.