Available in a variety of styles, this collection of sconces focuses on an illuminated lens atop a textured surface to create the experience of viewing an alternate world through a portal. The caviar-like material is an industrial sanding material, steel shot, which is mixed with an epoxy to bind the granules together. An open faced mold is used so that the back of the sconce can be molded into a specific shape to contain all the electronic parts while the top is randomly formed by the "caviar" falling as it may.  The prismatic effect, unique to each light, creates an otherworldly effect; a true combination of technical innovation and pure imagination. The lens functions as both a diffuser for the light as well as an entry into a mysterious universe.

Seattle based artist John Hogan’s critically lauded work, which spans both functional objects and sculpture, is about changing radiant energy through the refraction of light. Now working on a larger scale, including limited edition furniture pieces, Hogan has produced a series of water lenses, created exclusively for The Future Perfect. When filled with water, these large vessels, created from hand blown and cast glass, emanate a hypnotic effect that echoes the prismatic effect of magnified glass.

Caviar Sconce focuses an illuminated lens on a textured surface to create the experience of viewing an alternate world through a portal. The black caviar like material is an industrial sanding material, steel shot, which is mixed with an epoxy to bind the granules together. An open faced mold is used so that the back of the sconce can be molded into a specific shape to contain all the electronic parts while the top is randomly formed by the "caviar" falling as it may. This shows a duality in the nature of the material in it's ability to be formed and to make form on it's own.

Caviar Sconce focuses an illuminated lens on a textured surface to create the experience of viewing an alternate world through a portal. The black caviar like material is an industrial sanding material, steel shot, which is mixed with an epoxy to bind the granules together. An open faced mold is used so that the back of the sconce can be molded into a specific shape to contain all the electronic parts while the top is randomly formed by the "caviar" falling as it may. This shows a duality in the nature of the material in it's ability to be formed and to make form on it's own. The sconce’s quixotic appeal is achieved through the effect of the the illuminated glass lens, which covers the metal components. The prismatic effect, unique to each light, creates an otherwordly effect; a true combination of technical innovation and pure imagination. The lens functions as both a diffuser for the light as well as an entry into a mysterious universe.

Caviar Sconce focuses an illuminated lens on a textured surface to create the experience of viewing an alternate world through a portal. The black caviar like material is an industrial sanding material, steel shot, which is mixed with an epoxy to bind the granules together. An open faced mold is used so that the back of the sconce can be molded into a specific shape to contain all the electronic parts while the top is randomly formed by the "caviar" falling as it may. This shows a duality in the nature of the material in it's ability to be formed and to make form on it's own.

A prime example of the synergy between the studio's innovative extrusion techniques and the meticulous handwork that defines its craftsmanship. The combination of mechanical precision and labour-intensive manual intervention results in a design that embodies both technical expertise and artisanal skill. By blending these two approaches, the studio achieves a balance between machine-driven structure and the nuanced, human touch, creating a truly distinctive and thoughtful piece.

Monumental Totem Planter made of ceramic material for showcasing a plant. The hollow column is fitted with a bottom at two-thirds of its height, with a hole in it to discharge water. Available in three models. Specially developed colours available upon request.

The studio is widely recognized for pioneering a unique approach to ceramic extrusion using custom, hand-built machines. These mechanical tools enable precise yet expressive forms, establishing a dynamic dialogue between man and machine. The studio’s process carefully balances raw, natural materials (primarily clay) with controlled human intervention and spontaneity, resulting in pieces that feel both intentional and organic.

Exhibiting a sense of unrestrained creativity, Sanguino’s ceramic chairs offer a balancing act of expression and control. Like his instantly iconic stools, Sanguino’s chairs use clay as both structure and canvas, with each piece bearing the artist’s signature graffiti style graphics and vivid color palette.

Exhibiting a sense of unrestrained creativity, Sanguino’s ceramic chairs offer a balancing act of expression and control. Like his instantly iconic stools, Sanguino’s chairs use clay as both structure and canvas, with each piece bearing the artist’s signature graffiti style graphics and vivid color palette.

Venezuelan born and New York City based artist Reinaldo Sanguino creates one of a kind original ceramics. His ceramic pieces are known for their freely worked surfaces, variety of rich colors and patterns, which are integral to his forms. Each unique pieces of art, Sanguino’s ceramic objects - including his much coveted chairs - use clay as both structure and canvas. Sanguino creates startling directional pieces that reference New York City’s ineffable energy. His work is included in numerous private collections as well as permanent collections.

Venezuelan born and New York City based artist Reinaldo Sanguino creates one of a kind original ceramics. His ceramic pieces are known for their freely worked surfaces, variety of rich colors and patterns, which are integral to his forms. Each unique pieces of art, Sanguino’s ceramic objects - including his much coveted chairs - use clay as both structure and canvas. Sanguino creates startling directional pieces that reference New York City’s ineffable energy. His work is included in numerous private collections as well as permanent collections.

Eric Roinestad's ceramics employ an iconographic language to explore the deeply personal. With a background in graphic design, he wields an instinct for pictorial dialect, infusing his work with both universality and intimacy. His evolution harmonizes diverse aesthetics into a uniquely original approach. Taking influences from Bauhaus pioneer Oskar Schlemmer and the southern California landscape, Roinestad's artistic journey embodies his innovative vision.

Eric Roinestad's ceramics employ an iconographic language to explore the deeply personal. With a background in graphic design, he wields an instinct for pictorial dialect, infusing his work with both universality and intimacy. His evolution harmonizes diverse aesthetics into a uniquely original approach. Taking influences from Bauhaus pioneer Oskar Schlemmer and the southern California landscape, Roinestad's artistic journey embodies his innovative vision.

Eric Roinestad's ceramics employ an iconographic language to explore the deeply personal. With a background in graphic design, he wields an instinct for pictorial dialect, infusing his work with both universality and intimacy. His evolution harmonizes diverse aesthetics into a uniquely original approach. Taking influences from Bauhaus pioneer Oskar Schlemmer and the southern California landscape, Roinestad's artistic journey embodies his innovative vision.

Eric Roinestad's ceramics employ an iconographic language to explore the deeply personal. With a background in graphic design, he wields an instinct for pictorial dialect, infusing his work with both universality and intimacy. His evolution harmonizes diverse aesthetics into a uniquely original approach. Taking influences from Bauhaus pioneer Oskar Schlemmer and the southern California landscape, Roinestad's artistic journey embodies his innovative vision.

Geology Tables are made by splitting various stones in half and bringing the face to a high polish in order to reveal the composition of minerals hidden inside. The individual stones are assembled like a puzzle into a bricolage surface that is supported by a complex network of steel. Each unique stone is set like a jewel in an armature made specifically to hold it.

Taking its name from the limbs and body components which Wolston has integrated collage-like, this standout dining table is a feast for the senses. Using Wolston’s freeform aluminum pieces, the table represents Wolston’s maturation as an artisan and furniture maker. Conveying his strong narrative voice, Wolston’s new furniture pieces employ freely illustrated aluminum pieces to present a tactile and compelling design statement. His exhibition, Lost in Paradise, debuted during New York Design Week 2018, and is an exclusive collection for The Future Perfect.

This lighting fixture is designed to command attention in any room. While the piece references the jungle surroundings of Wolston’s adopted home of Medellin, Colombia with its production of palm fronds and colorful shapes, one could see it as the anchor of an extravagant interior. Conveying his strong narrative voice, Wolston’s new furniture pieces employ freely illustrated aluminum pieces to present a tactile and compelling design statement. Drawing on his interest in ancient influences and postmodern fabrication, Wolston - with a new cabinet, armchair, dining table, lighting, and wall installation - introduces a new aesthetic vernacular that offers each beholder a different, almost instinctual translation.

Glassblower Jochen Holz’s work is defined by both the potential and the limitations of his chosen medium. Reflective of his process, Holz is inspired by glass in its molten form, each piece feels as though it is in motion.